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Stained Glass Windows at Habonim

By Ely Rubenstein

When I first arrived at Habonim in June 1988, the focal point of our simple sanctuary was the modernist yet appealing wooden ark with bronze handles on the western wall of the synagogue, designed by Habonim members May Marx and installed by Alfred Altman [When the building was originally purchased, it was too costly to orient the synagogue in the east direction as is customary, due to the expense involved].

Over the years, modest but beautiful improvements were made to the sanctuary, involving stained-glass windows behind the ark, and on the north and south side of the old building. When Habonim opened its new building on the same site in 2019, the stained-glass windows on the north and south of the old building, along with the bronze “Tree of Life”, were moved to the Esther Ghan Firestone Celebration Hall on the lower level. Then in 2021, the upstairs sanctuary was adorned yet again with a new series of stained-glass windows. Each of these additions – the stained-glass and other adornments- were undertaken through the generosity of Habonim members to beautify the sanctuary and enhance the spiritual experience of those attending the congregation. 

Other artifacts in the old Habonim building included: A Ner Tamid on top of the ark; A Holocaust memorial candelabrum also designed by May Marx; Two traditional menorahs flanking either side of the Bimah; A bronze “Tree of Life – Eitz Chaim” [designed by May Marx] adorned the lobby. Each leaf was inscribed in memory of a member or a member’s loved one.

When Habonim opened its new building on the same site in 2019, the stained-glass windows on the north and south of the old building, along with the bronze “Tree of Life”, were moved to the Esther Ghan Firestone Celebration Hall on the lower level. Then in 2021, the upstairs sanctuary was adorned yet again with a new series of stained-glass windows. Each of these additions – the stained-glass and other adornments- were undertaken through the generosity of Habonim members to beautify the sanctuary and enhance the spiritual experience of those attending the congregation.

 

Timeline

1970 - Mildred and Willy Fleischer Donation

Mildred and Willy Fleischer donated the new stained-glass windows behind the ark. Willy Fleischer was a Holocaust refugee from Teplice, a city in Czechoslovakia annexed by Nazi Germany in 1938. Willy Fleischer was one of the three remaining founders alive in 1970.

Source: “The Builders” by Lisa Catherine Cohen

1997 – Nathan Ostrow Creation

From the Habonim Bulletin [March 1997]

“Nathan Ostrow created two beautiful stained-glass windows for the sanctuary at Congregation Habonim of Toronto” We all know that many functions in Habonim are fulfilled by volunteers and appreciate that without such helpers the Congregation would hardly be running at all. Some give their assistance occasionally as required, a few spend many hours a week on important administrative tasks. Then there is one man who devotes almost his full time to the practical maintenance our physical assets.

Nathan Ostrow can be found at our shul at almost any time, looking after the building, the grounds, the cleaning, the painting, the heating, the chair and stage arrangements, the religious implements, and many other duties. He finds time, not only to create two beautiful stained-glass windows for the sanctuary, but also to do many errands for the Congregation and, with his wife Miriam, to visit sick members and arrange the donations to the food bank. All of this is done with his pleasant, cheerful smile and good will.

Without Nathan, most physical preparations at Habonim would, if not stop, at least grind along in a much lower, less efficient gear. So, at reaching the three-quarter century mark of his life, it is only fitting that we express our deep appreciation and thanks for all his help and devotion, and wish him many more healthy, happy, content and vigorous years.

-Gangolf Herman, President Congregation Habonim

At Habonim, both Miriam and Nathan became ultra-active. Nathan, over the last forty years has been taking care of the building — everything from reupholstering chairs to the sound systems, to roof leaks, to creating the two beautiful stained-glass windows on the south wall — absolutely every detail never escaped the watchful eye of Nathan Ostrow.

In the president’s address and bulletin letter, Roger DeFreitas brings the members’ attention to the gorgeous new stained-glass window gracing the sanctuary that Nathan Ostrow has designed, created and installed in the south wall’s windows. He had been working on it in the basement for over two years. It is there still and will forever add beauty and color to every occasion at Habonim.

Source: “The Builders” by Lisa Catherine Cohen

2001 – Ruth Bauman Linz Donation in Memory of Margot Barnett

Ruth Baumann Linz is the only one woman listed on the synagogue’s charter and the synagogue’s only female founding member. Ruth was born in 1920 in Danzig but fled to England in May 1939 and eventually to Toronto after the war, where their parents and brother had preceded her. Ruth Linz’s involvement with Habonim began with her initial activity as honorary secretary of the New World Club of Canada in Toronto. Ruth left Canada for NJ after marrying refugee, but moved back to Toronto after her husband died in 1998.

Thanks to a donation by Ruth (née Baumann) Linz, this is the year [2000] Habonim commissioned that series of stained-glass windows to be dedicated to the memory of Margot Barnett and installed across the room from Nathan Ostrow’s, on the north wall. Design sketches came in later this year and would be ready and installed by the Friday night December 17th service almost a year from this notice. Before installation, the windows were sitting on an easel in the foyer for all to see close up. In 2001, Ruth donated the funds necessary to create and install the stained-glass windows on the north wall of the building, dedicated to the memory of one of Habonim’s most devoted and active members, Margot Barnett. Beneath the windows is a blue Lucite plaque dedicated to her memory by “Founding Member, Ruth Linz.”

Sources: Holocaust Survivors in Canada: Exclusion, Inclusion, Transformation, 1947-1955 By Adara Goldberg https://doi.org/10.1515/9780887554964-008 “The Builders” by Lisa Catherine Cohen

HAVE YOU SEEN OUR NEW STAINED GLASS WINDOWS?

From the Habonim Bulletin, October 2001

Habonim's sanctuary is now graced with a multi-panel-stained glass window on the North wall. This window is a gift from Ruth Baumann- Linz, a member of long standing, in honour of Margot Barnett. Margot personified the volunteer spirit at Habonim, and we thank Ruth for the beautification of our sanctuary. We also thank Ila Weiser who shepherded the project through its completion over about a year and a half It turned out to be much more work than we originally thought, but the result is splendid and we thank her, as well as the committee members who advised her, including May Marx, Max Gottlieb, Roger DeFreitas, Morton Katz and Nathan Ostrow.

The window was created by a noted Toronto area artist in stained glass Gerald Tooke, after a competition among artists. Mr. Tooke's design reflects Margot's energy in her devotion to Habonim, symbolized in images of light and action, as well as repeating circles of life. In the daytime, the windows are lighted by outside light, and at night by Habonim's lights when the building is in use.

Please make a note of the windows the next time you are in the sanctuary. An appropriate celebration will be held when Ruth is in town.

-David Goldfarb, President January

2008 - Fred Rose donation in memory of Esther and Abraham Rose 

NEW STAINED GLASS WINDOWS [SOUTH WALL]

From the Habonim Bulletin, March 2008 Fred Rose, 87 years old, is a Holocaust Survivor. He was incarcerated in Germany’s Nazi concentration camp, Sachsenhausen, at the young age of 17. His four sisters, Herta, Alisa, Gene, and Vera, ranging in age from 80 to 92, are still living in Norway, Israel, and Canada. It was their fervent wish to have a memorial created in memory of their parents, Esther and Abraham Rose, both killed in concentration camps.

Bema and Candelabra that have long graced our sanctuary.

[Eight] years ago, I was part of a committee to choose a stained-glass artist for the design of the North windows. Jerry Tooke’s approach was selected from 3 proposals. In addition to his extensive accomplishments in the field his comprehension of Jewish symbolism in the context of contemporary expression, was pivotal.

It was without question that he be re-engaged to carry out the Esther and Abraham Rose Memorial Windows which were installed on the South wall on January 11, 2008, following which Jerry wrote: “When one is continuing a series, as in the Habonim Congregation sanctuary, the additional problem presented is the creation not only of a fresh image but also of a different sameness. It was important that the new window be opposite the first one in order to establish a balance. Different yet complementary symbols have been interesting to select for each set of windows. It was important that all were well designed objects, easily recognized as historical (Jewish) objects and also attractive in a contemporary graphic design sense. Colour is part of the mystique of stained glass. It is both a unifying element, and an element of continual change as the glass responds to external and internal sources of light.”

So the gentle radiance of memory, like the coloured glass responding to ever-dancing light, will celebrate and commemorate the lives of Esther and Abraham Rose.

-Morton Katz

Donation of New Habonim Stained Glass Window 

From the Habonim Bulletin January, 2008. Speech given by Vera Bernstein:

Fred Rose, my brother, spent a great deal of time chronicling the background history of not only our family but that also of the Jews of Germany during and following the period of the Holocaust.

He had the fervent wish to have a memorial created in memory of our parents, Esther and Abraham Rose, who with some 6 millions other Jews were victims of the Holocaust.

He has always admired the beautiful stained glass window on the north wall of this sanctuary and felt that a new window on the opposite side creating a balance and depicting Jewish symbols in a contemporary fashion would be a fitting memorial.

May Marx, his long-time friend, and also her family, who are here today, have been supporters of the idea and have been of great help.

Mr. Morton Katz, Architect, was part of the committee who chose Mr. Jerry Tooke, a renowned stained glass artist who has designed the windows on the opposite side, to create the Esther and Abraham Rose Memorial Windows.

Today we have a small gathering to celebrate the installment of Fred’s gift to this Congregation, and on behalf of Fred and our family, I thank all of you who have been of help in achieving its completion.

I would like to say a few words about the lives of Esther and Abraham Rose.

Abraham Rose married Esther Farber in Leipzig in 1914. He had found his first job at age 17 at the local branch of the Mercedes Shoe Company and in 8 years had worked his way up to become the manager. Newly married and enterprising of spirit, he decided to open his own business and did in the small of town of Boma, 30 km south of Leipzig, where he opened his own shoe store in the spring of that same year.

A few weeks after the opening date, WWI broke out and he was called up to serve in the army, which in those days did not discriminate on racial grounds, and in fact included field rabbis to look after the spiritual needs of German soldiers of Jewish faith. He was wounded towards the end of the war but recovered, and with the war over returned to Boma, where Esther meanwhile had borne him 2 daughters, Herta and Alice, over a period of 6 years.

He opened the shoe store which he renamed Kaufhas Britannia, and he added men’s and boy’s wear. The immediate post years were very hard as Germany struggled to get economically on its feet as the so-called Weimar Republic. Eventually the smalls store allowed our father to move his family – which meanwhile had increased by a son Siegfried and two further daughters, Gene and Vera – to Leipzig so his now 5 children would have a chance to get a better education, and he commuted daily from there to his store. With his larger home and his children in good schools, prospects for a normal, happy family life looked good. Then in 1933 Adolph Hitler was voted chancellor, and his National Socialist or Nazi Party, took power, and declared white Aryan supremacy and racial discrimination into law. Jews were first declared second-class citizens, and then were persecuted with increasing severity in all sectors of existence.

Jewish businesses were slowly destroyed by government ordered boycott and later by defacement of store windows, vandalism and harassment of the owners and operators. With a family of 7 to feed, clothe and educate Abraham Rose’s existence was being strangled, as were other Jewish businesses in Hitler’s Germany. With no relatives abroad the prospects of emigration of a large family were bleak.

Then in November 1938, the action to become known as Kristallnacht (Night of the Broken Glass), his store was torched by Nazi storm troopers and totally burnt out. He and his son were arrested and taken to separate concentration camps, Buchenwald and Sachsenhausen, where at that time the later camp commandant of Auschwitz was second in command.

Father and son had to sign that they had set fire to the store themselves, so that the complete cost of rebuilding the burnt out store for subsequent forced sale could be confiscated out of the remaining assets of the family. The family home in Leipzig was also forcibly sold, and also at a price well below the real value. What was left over was impounded toward the collective fine the Nazi regime imposed on all the Jews of Germany.

Meanwhile, in the spring of 1939, a group of Quakers in England, who had become aware of the plight of the Jews in Germany, collected enough money to guarantee the immigration of what they considered to be the most urgent cases. They sent an emissary to Germany to negotiate with the Commandants of Buchenwald and Sachsenhausen concentration camps which resulted in the release of 14 of the youngest inmates, which included the then 17 year old son Siegfried, who was thus able to escape to England where he was able to arrange for the rescue of his 4 sisters.

Unfortunately, the outbreak of WWII on September 3rd, 1939, prevented the rescue of their parents Abraham and Esther Rose who by then were forced to live in the cramped quarters of a so-called Judenhaus (Jews House), reserved in various inconvenient locations for second class citizens, with reduced food ration and increasing deprivations, culminating in their deportation in September 1942, to Ghetto Theresienstadt in the then occupied Czechoslovakia, a German Protectorate.

Esther Rose died there in February 1943 of hunger and typhus. Three months later Abraham Rose was deported from Ghetto Theresienstadt to the Extermination Camp Auschwitz with a trainload of older Jews no longer fit for forced labor and he was killed in the gas chamber on arrival.

The family home in Leipzig, which according to city hall records was bought in 1929 for 111,500 Reichsmarks, was sold in 1939 for only 75,000 Reichsmarks.

Our parents, Abraham and Esther Rose, gave us the strength, both mental and physical, to withstand the trials and tribulations we grew up with in Leipzig, Germany. I hope that I can pass some of these attributes on to my children, David and Suzy, and Alysha, Laura Emily and Brendan.

My sisters, Fred and I, are still in regular communication with each other, Herta in Bergen, Norway, Alisa and Gene in Jerusalem, and Fred and I here in Toronto. They or other members of their families hope to come see this memorial glass window on a future occasion.

This beautiful stained-glass window commemorates the lives of our parents, Abraham and Esther.

Click HERE to view a virtual tour of the stained-glass windows from the original Habonim building now located in the Esther Ghan Firestone Celebration Hall in the New Habonim building.

Fall 2021 – Stained Glass Windows Donated by Wayne Robbins and Family 

THE HISTORY OF STAINED-GLASS WINDOWS AT HABONIM: A TIME-HONOURED TRADITION

By Eli Rubenstein (Adapted from Fall 2021 Habonim Bulletin)

Since I first became involved with Habonim in June 1988, the main sanctuary was adorned by windows made of stained glass, first behind the ark and then on the north and south walls, created by modern-day master Gerald Tooke (1931-2011), considered among Canada's leading practitioners of the craft. Long-time member and volunteer, Nathan Ostrow also contributed his design of two stained-glass windows.

When our new building was opened in the fall of 2019, just in time for that year’s High Holday services, those windows found a new home in the Esther Ghan Firestone Celebration Hall on the lower level, where the Children’s High Holyday services were held.

But many of us – myself and Rabbi Cantor Aviva Rajsky among them - missed the tradition of seeing stained glass windows in the main sanctuary, so we approached the family of one of our long-time members to see if they would support this enhancement to the main sanctuary. We were not disappointed in the response to our request.

Thus, in the fall of 2021, our newly built synagogue became even more beautiful thanks to a generous donation from Wayne Robbins and family. Just in time for the 2021 High Holyday services, Habonim’s main sanctuary was adorned and beautified by the addition of 8 stained glass windows, all representing a different Jewish theme.

These include:

  • TZEDEK (Justice)
  • SHIRA (Song)
  • TORAH (Hebrew Bible)
  • ZACHOR (Remember)
  • CHAYIM (Life)
  • SHALOM (Peace)
  • TZEDEKAH (Charity)
  • YISRAEL (Israel)

The messages in the windows represent both specific Jewish values, and universal values that we share with the world, albeit through a Jewish lens.

Whenever we embark on a project at Habonim, I am very conscious that the synagogue was originally built, in the main, by German & Austrian Jewish Holocaust survivors and refugees from the persecution of Nazi Germany. Many of them were first-hand witnesses to the events of Kristallnacht. During that fateful precursor of the Holocaust, thousands of synagogues and Jewish establishments across Germany and Austria were vandalized, their windows shattered, glass scattered on the adjacent side- walks and streets. How fitting is it that the same values the Nazis tried to eliminate from the world are now be highlighted in stained glass at the centre of our sanctuary.

And how equally appropriate is it that the stained glass was designed by gifted artist Sharon Epstein, whose late father, Dr. William Singer, a member of Habonim until his passing, was a Holocaust survivor. Sharon’s exquisite work is on display in other Toronto synagogues as well.

But there is an equally profound message in the origin of the actual material that is being used. The windows were fashioned in Paderborn, Germany, at Glasmalerei Peters Studios. Founded more than 100 years ago, Glassmaker Peters is one of the world’s most renowned workshops for glass and its works are to be found around the globe.

According to the Jewish Virtual Library there has been a small Jewish presence in Paderborn since 1342. “In 1939 only 123 [Jews] remained, the greater part of whom were later deported. In July 1942 the staff and children of the orphanage (founded 1856) were also deported.

From the summer of 1939 until March 1943 the town contained a so-called “Jewish Retraining Center” for some 100 people who were forcibly employed by the Nazi authorities in Paderborn. On March 1, 1943, all the inmates of the center were deported to Auschwitz; only 10 survived. After World War II a community was re-established, it numbered 85 in 2004. About 70% of the members are immigrants from the former Soviet Union.”

Further research revealed that the train station in Paderborn features a memorial to the 54 Jewish citizens deport- ed from this station to the camps in 1942. Only five survived. Around the time of the installation, I spoke to Jan Peters, managing director of Glasmalerei Peters Studios, about the project. When I explained to him the origins of our synagogue, there was a pause on the phone. Then he said with telling emotion in his voice:

It is a great honor to be involved in this effort.

Canadian philosopher Marshall McLuhan once famously said “the medium is the message.” In this case, there is a message in the very manufacturing process of these beautiful windows.

It is a message of Tikkun, of repair, of reconciliation – that from the very same place where so much evil was inflicted on the Jewish people, healing can also emanate.

-Eli Rubenstein

Wed, January 15 2025 15 Tevet 5785